Quick Links to Materials
Notes
Teacher-facing slide. Skip or use only if students need access to materials.
Innovation and Imagination · Lesson 3
Students apply the four-step art critique — Describe, Analyze, Interpret, Evaluate — to human-made and AI-generated images, and wrestle with questions of authorship, intent, and originality.
Students learn and apply the four-step art critique process — Describe, Analyze, Interpret, and Evaluate — to human-made artwork and AI-generated images. They begin by considering whether an AI program can be considered an artist, then use Girl with a Pearl Earring to explore how art critics observe visual features, analyze composition, interpret possible meaning, and form evidence-based opinions. Students work with a partner to critique and compare human-made and AI-generated images. As they compare the two, they learn that AI generates images by recognizing and recombining patterns associated with images and text rather than imagining or making intentional artistic decisions the way a human does — and consider how this changes questions about artistic intent, authorship, originality, prompt writing, and evaluation.
Full Expedition standards, by grade and lesson
5 minutes · Slides 2–4
15 minutes · Slides 5–11
20 minutes · Slides 13
5 minutes · Slides 14
The lesson deck with its speaker notes — what to say and what to do on each slide, with suggested timing. Slide numbers match the deck in Google Slides.
Students engage with the ideas through multiple pathways: individual reflection, visual examples, teacher modeling, partner discussion, and written critique. The four-step Describe–Analyze–Interpret–Evaluate framework breaks a complex critique task into manageable stages and gives students repeated language for organizing their thinking.
Visual examples of both human-made and AI-generated images provide concrete reference points, while prompts about color, shape, pattern, composition, feeling, and meaning offer entry points for students with different levels of art experience. Students can first rehearse ideas with a partner before sharing with the class and may demonstrate understanding through written responses, discussion, or reference to specific visual evidence.
| Artist | Artwork referenced | Computational thinking connection |
|---|---|---|
| Edvard Munch | The Scream | Introduces art critique by encouraging students to describe what they see, interpret emotional meaning, and distinguish observation from opinion. |
| Roy Lichtenstein | Bull IV (1973) | Used to model each step of the critique process while examining artistic choices such as abstraction, shape, color, and composition. |
| Johannes Vermeer | Girl with a Pearl Earring | Compared with an AI-generated portrait to demonstrate how the same critique process applies to both — while discussing technique, authorship, and artistic intent. |
| Vincent van Gogh | The Starry Night (1889) | Compared with an AI-generated image inspired by similar visual qualities to explore how AI recognizes and recombines patterns rather than creating from personal experience or intention. |
| Fractal AI Art tool | Nature on Buildings and Big Stars (2026) | Demonstrates how AI-generated images can be critiqued using the same framework as traditional artwork, prompting discussion about prompt writing, pattern recognition, authorship, and originality. |